A few days of lazy

I'm in my last few days of summer freedom.  I've been trying to embrace laziness.  I haven't been very successful and just recently come to realize that I didn't delve into any books this summer.  This summer has seemed lazy to me, but it is probably because I didn't go exploring as much as I would have liked to.  I've been creating a lot of work this summer.  Between finishing my online art class with Mira Reisberg, getting ready for the SCBWI summer conference, then the RawArtist artist showcase, I have been in a constant state of creation.  Even now, when I desperately want to embrace the feeling of doing absolutely nothing, I can only continue creating.  So, I've decided to do a recap of this summer's work.

Hero's Art Journey with Mira Reisberg
This online course really helped me break out of a creative fog I was experiencing.  I was still being creative, but just didn't have any particular direction and needed something to push my boundaries in a different capacity.

 In the next piece I had originally had a little girl in the painting, but after attending an illustrator's portfolio workshop; it had been recommended that I change her to one of my Mizzle characters to keep the piece consistent with all of my other work.  The original is on the left and the altered piece is on the right.

For my portfolio, I also, finished a piece I had started working on earlier.

For the RawArtists artists' showcase, I made about 30 Mizzles.  You can find many of them on my Esty shop, Mizzle Adventures.  Here are a few of my favorites:

And as for the remainder of what should have been two weeks of a lazy summer, I continued to explore creating mixed media pieces.  Here is what I've created:

This first illustration I wanted to play with the idea of Tree Pose in yoga, and hiding amongst trees.  Here the Mizzles are playing hide and seek.  Stargazer is attempting to camoflage herself as a tree.

To continue with the tree theme, I thought it would be fun if the Mizzles went camping.

This last one is a work in progress.  I am introducing my newest Mizzle, Fawn.  She and Belinda are going to picnic amongst the peacocks.

Now, I'm starting a Picture Book Writing Course and have to push myself to work on my story. It's time to begin editing!

Art Show: Radiate

This summer has been filled with some really great moments and a few really bad moments, but it is all part of life, right?  I have spent most of my summer vacation making art and getting ready for the SCBWI summer conference.  Then life threw in something unexpected and that was being part of a group art show. 

I have been fortunate to have grown up with an extremely supportive family; people who have supported and nurtured my artistic career; people who believe in my and my abilities.  But sometimes it is difficult to truly accept their opinions about my art and talents because they love me unconditionally.  I have always known what I am capable of, but it wasn't until the past few years that I believed I could do more...even create art professionally.  Within my pursuit of illustrating children's books, mostly my own, I have challenged myself and can see growth in my work.  I think if I was presented with the opportunity to show my work 4 years ago, I would have turned them down.  I wouldn't have believed I could truly be successful.

This summer has been about getting more exposure as an artist and networking.  When RAWartist approached me about being a part of their show, I, honestly, had some reservations about participating.  In the past, I have never pictured my artwork in a gallery setting.  But I believe that life presents us with opportunities that we are meant for us to experience, whether they are good or bad.  I decided to just go with it because in the end there is nothing to loose.  So, the past 2 weeks, I have been preparing for the show. I had to figure out lighting, how to display my art, and what to display.  Part of my art was my Mizzle dolls.  I went into intense Mizzle production only to break my sewing machine.  (I don't really have much experience with sewing machines and didn't know I needed to oil my machine after long bought of sewing.)  I managed to make 27 Mizzles in 4 days...not including the days my machine was out of commission.

I became extremely nervous the day before the show, beginning to fear that my work would look too crafty.  I began doubting what I really knew about presenting my artwork.  I think the real source of my fear came from not knowing where the show would lead me to.  I've allowed myself to accept and trust the journey that my art has taken me on.  I just wasn't quite sure how this art show was going to alter that journey.  Luckily, I am fortunate to have friends who are capable of talking me out of my mini freak outs. When I arrived to set up the show, there was no time for any freak outs. I immediately went into problem-solving mode and within an hour, I managed to organize and create a beautiful Mizzle Shrine!

The show was at the Avec Night Club in Huntington Beach.  I, along with everyone already familiar with me and the Mizzles, knew the place was going to be magical because when you first arrive you can't help but notice a huge tree in the middle of the bar.

And magical it was!  Friends and family came to show their support and share in the fun!  My friend, Victoria Burnett, a professional storyteller, was my biggest promoter of the night.  She was so proud of me that she talked me up to every person who would listen to her.  People were drawn to the Mizzles.  Everyone commented on their faces and the personalities they exuded.  Many were delightfully surprised to find that each doll was named.  They also loved my illustrations.

This illustration seemed to be everyone's favorite!

But the magical moment of the night was when I was talking to a woman about the Mizzles and my journey from doll making to my goal of writing and illustrating my story about them.  She asked what my story was about, then told me she worked for a very large children's book publishing company and that I should submit my manuscript to her when I finished it.  This just shows how important it is to network and to take advantage of opportunities that are presented to you.  I had feared that being a part of this art show would take me away from my children's book journey, but it only encouraged me more.  I have never felt so confident about my abilities and my path. 

It seems like the planets are aligning just right.  Next week, I begin Mira Reisberg's Picture Book Academy, where I plan to work out the problems of my Mizzle story.  Then I'll have something to finally submit.  I can't wait to see what opportunities will arise next.  This art journey is becoming very exciting. 

Here is a link with photos of the show! http://encore.orangecounty.com/2012/08/19/slideshow-art-music-fashion-and-more-at-raw-orange-county/

Part of the Art Journey

During my own personal journey of art, I have created paintings and drawings focused on a subject.  It seemed to be my safety net.  My first subject was the wolf.  I began drawing them in high school and found some comfort getting lost in drawing their fur.  I admired their strength, dedication to family, and their ability to maintain their individualism all while working together in a group.  In the start of college, I continued to paint them. 

While I began making my Mizzles, I fell in love with the Rapidograph technical pen.  It is my favorite drawing tool.  I discovered the book The Technical Pen by Gary Simmons, which inspired me to create my Randomness Series.  They began just as an exercise to practice with and pen and get over my fear of making mistakes. 

 

Then I began creating paintings of my Mizzles, which led to drawing trees and squirrels.  It is here where I've stayed in a safety net.  My entire illustrator's portfolio is strictly Mizzles.

I tried drawing kids, but it never felt quite right creating kid characters.  Perhaps it is because I was afraid to branch out of my comfort zone.  I began taking the Hero's Art Journey online course with Mira Reisberg at the beginning of June.  I had been feeling stuck with my illustrations and story.  This course came at the right time and it has been amazing.  Mira has developed a great online course that is simple for any person of any skill to follow and enjoy.  Each day is planned out with short articles to guide and inspire.  The other thing I love about the course is that we are encouraged to show our work, especially if it is still in progress. 

I wasn't completely sure what to expect from this course.  I figured if anything were to come from taking this course I would leave with new ideas and techniques to share with my students.  But I have received so much more.  Somehow and somewhere a little girl appeared in my artwork.  I'm not sure where she came from, but I have enjoyed seeing her appear and grow.

This is still in progress, but it's coming along.

There are 2 more weeks in the course.  I'm not sure if she will continue to show up in the next two paintings, but I'm happy she has appeared in these.

Sunday Agglomeration- Getting back into the groove

As we get closer to the end of the school year, I have been feeling very scattered.  But I have managed to find time to get back into my creative groove.  This past week I had to substitute during my prep period, which normally bothers me because subbing can be such a nuisance.  Students often feel that a substitute means they don't have to do any work.  But this time was not too bad because the students did their work and I was had time to do some drawing.  I'm continuing with the yoga theme.  It seems to be working for me.

This week I also began the Hero's Art Journey course.  Our first assignment was a self portrait.  I thought it would be easy, but it was a challenge.  I couldn't figure out how I wanted to portray myself.  I decided to play with melting crayons on a canvas.  As I was doing this, I thought it would make a great background for my portrait.  I took it with me to my illustrator's play date and worked on it.  Within a few hours I was pretty pleased with what I had.  There is still more that I want to add to it, but I like it so far.  As an option to our self portrait, we were told we could do a children's book illustration of a child version of ourselves.  I figured I should play with this as well.  Since I love trees, I drew a little girl reclining in a tree drawing on a clipboard.  I didn't have large trees around when I was a kid, but I always loved movies where kids would climb trees, or hang out in tree houses. It is definitely incomplete, but I feel like I've made great progress this week.  I'm not feeling as stuck or overwhelmed.

Influences- Chuck Close

Chuck Close standing next to the Big Self-Portrait, 1968

I can't remember when I fell in love with Chuck Close.  I have loved his portraits for many years.  His earlier work is amazing in detail and size.  Photorealism is my absolute favorite art movement.  What I admire most about him is that after his accident and being diagnosed parapalegic, he continued to create art. It is amazing to see him work.  His paintings are just as large as before.  They may not be as photorealistic, but they are realistic and have an optical illusion feel to it.

Mark, 1979, Acrylic on canvas

 

Every year, I show the Chuck Close video to my students as inspiration for their photorealistic assignment.  But always hope they take away from the video that no matter what life throws at you determination to keep moving forward will take you a long way.

Chuck Close working on Self-Portrait, 2000-01

In 2007, my life was complete.  Chuck Close had a exhibit at the Orange County Museum of Art.  I had never seen his work in person before.  Granted the work was not his paintings, but his prints and paper images were just as amazing.  At this exhibit I bought the book Close Reading by Martin Friedman.  I began reading it, but life got in the way and I never finished it.  Of what I read, it had great sarcastic humor and a realness to it.  As I read it, I could hear Chuck Close's voice.  My plan is to go back to reading the book the moment school lets out.

Lyle, 2000, Eight-color soft-ground etching

Self-Portrait, 1983, Pulp paper on canvas

Self-Portrait, 1980, Stamp pad ink on gray paper

Originally, I wasn't going to talk about Close today for my influence, but I began the Hero's Art Journey course with Mira Reisberg.  Our first task is exploring the self portrait.  It made me think of him.
I have no idea what I am going to do for my self-portrait, but I have to get working on it.